DaVinci Resolve is the world's most advanced color correction system. You get natural 32 bit float YRGB processing, power windows, tracking, primaries and secondary corrections, Log, HSL and curve grading, RGB mixing, 3D object tracker, 3D stereoscopic eye matching, XML and AAF round tripping for NLE systems, optical quality resizing, noise reduction, audio sync and much more!
Professional non-linear editing with Hollywoods most powerful color corrector!
DaVinci Resolve 12 combines professional non-linear video editing with the world’s most advanced color corrector so now you can edit, color correct, finish and deliver all from one system! DaVinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline! From creative editing and multi camera television production to high end finishing and color correction, only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.
The world’s most advanced color grading tools.
DaVinci color correctors have been the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci. DaVinci Resolve features unlimited grading with the creative tools colorists need and incredible multi GPU real time performance. That’s why DaVinci is the name behind more feature films, commercials, television productions, documentaries and music videos than any other grading system!
Professional editing from rough cut to finished edit!
DaVinci Resolve 12 includes sophisticated professional editing tools designed to handle a wide range of projects from scripted prime time dramas to fast paced stylized commercials and even multi camera productions. Editing tools are context sensitive, which means that DaVinci Resolve automatically knows how you want to trim based on the position of the mouse so you don’t have to waste time switching tools! You also get customizable keyboard shortcuts so you can edit quickly and move between applications with ease. DaVinci Resolve 12 has the most advanced collaborative tools that let multiple people work together on the same timeline at the same time so you can finish faster and focus on your edit!
Scalable power and real time performance.
DaVinci Resolve is scalable and supports multiple GPUs all working together as found in the new MacPro, as well as the latest Windows and Linux computers. You get support for up to 8 GPUs so that you can build dedicated systems that are super fast and deliver blazing real time performance. You can even offload output and rendering tasks to other Resolve systems on your network using the remote rendering tools. That’s important when you are working on high pressure projects that you need to deliver fast! Whether you are working in your own post production suite or grading the next Hollywood blockbuster, workstations running DaVinci Resolve can be super charged to keep up with you and your clients!
Work faster with absolute control!
When you have a client looking over your shoulder you need to work fast. The DaVinci Resolve control surface lets you adjust multiple parameters simultaneously, making grading faster. The control surface features dedicated buttons, knobs and perfectly weighted trackballs that give you the subtle control you need for creating the most amazing looks! You get 32 soft knobs with automatic LCD labels so you’ll never have to page through multiple menus to find common adjustments. Save and recall grades to memory, load gallery stills and more at the push of a button while you keep grading at full speed!
Ensure complex jobs are well organized.
Saving and managing media is a critical part of every project! DaVinci Resolve features powerful media management tools specifically designed for editorial and color workflows. You can easily move, copy, consolidate, relink, and archive media, timelines or entire projects. DaVinci Resolve’s clone tool will back up your valuable camera files on location so you can copy camera files to multiple destinations with checksum validation for safekeeping while you’re still on set! DaVinci Resolve can also edit metadata, sync sound and prep footage for editing, color grading or visual effects. DaVinci Resolve helps you on local drives or over your network and, because it works with virtually every camera and video format, you don’t need to convert files to begin editing or grading!
Finish and deliver to virtually any format!
Whether you’re creating a master for TV release, a digital cinema package for theatrical distribution or finishing for delivery over the internet, DaVinci Resolve includes powerful delivery options for versioning, finishing and delivery at any resolution. You can export your media in a variety of formats with optional burn-ins, output EXR or DPX files for visual effects work and uncompressed 10 bit or ProRes files for editing in applications like Final Cut Pro X. Exporting can take advantage of remote rendering, using another Resolve on the network to render the job. DaVinci Resolve works from your camera originals so you always get the highest quality output. That means your finished master is a first generation graded copy of the original camera RAW files!
Unique YRGB 32 bit float processing.
DaVinci’s high quality image processing is so revolutionary it won an Emmy™ award for contributions to the television industry! All image processing is at the deepest 32 bit floating point and DaVinci Resolve uses a unique YRGB color space for grading. This allows you to adjust the luminance gain of your video without rebalancing the color of your whites, mids, or blacks. That means you won’t have to chase the correction you’re aiming for! 32 bit processing combined with YRGB color science gives you a dramatically wider color correction range, so you can generate looks that other systems simply cannot match!
End to End Color Management
DaVinci Resolve 12 simplifies the color management of multiple clips with different color spaces, allowing you to define individual source, timeline and output color spaces with incredible speed and accuracy. Now you have a complete end to end color managed pipeline that can use DaVinci Resolve’s color managed timelines and ACES 1.0 (Academy Color Encoding Specification) color for high end digital cinema workflows.
The world’s most compatible post production solution!
Exchange projects with your favorite NLE software, send clips to VFX and motion graphics, and export projects directly to ProTools for professional mixing and sound design! DaVinci Resolve can share sequences and round trip projects with Final Cut Pro X, Media Composer, Premiere Pro and more! That means you can edit your project on any system, then using XML, AAF or EDL’s, you can link back to your full quality camera RAW files and finish in greater bit depth with DaVinci Resolve. You can also use AAF export to send a project to ProTools with discreet audio clips and a single layer video mix down for audio finishing. DaVinci Resolve lets you work with and integrates with dozens of other software tools so you can focus on getting your job done.
What's New in Version 12.5:
DaVinci Resolve 12.5 is a massive update with over 1,000 enhancements and 250 new features that give editors and colorists dozens of new editing and trimming tools, incredible new media management and organization functions, new retiming effects, enhanced keyframe controls, on-screen text editing, new ResolveFX plug-ins and much more! The re-designed node editor is easier and more intuitive to use, there are new HDR grading tools, vastly improved noise reduction, lens distortion correction, and a completely redesigned Deliver page for outputting projects.
What's New in Version 12.5.4:
-Added support for the Touch Bar on the new MacBook Pro
-Improved EXR decode and playback performance
-Added support for Grass Valley HQ and HQX codecs
-Added support for decoding MXF ProRes files
-Added support for preserving super-white and sub-black data in ProRes 4444 codecs
-Improved grading and playback performance when working with large node graphs
-Improved support for CR2 files from Canon 5D Mark IV
-Added support for Rec. 2100 in RCM
-Added support for sliders to control Dolby Vision analysis data
-Added support for image orientation flag in DPX files
-Added P3-D65 IDTs and ODTs in ACES
-Added Rec.2020 ST.2084 1000 nits ODT clamped to P3 in ACES
-Increased maximum bitrate for JPEG2000 renders
-Addressed an issue where only one eye was updated while wiping stills in Stereoscopic 3D
-Addressed an issue with artifacts when decoding some Cineform footage
-Addressed an issue with decoding some MP4 files
-Addressed an issue with audio and video going out of sync on some phone camera footage
-Addressed an issue with exporting fades to and from black to Dolby Vision XML
-Addressed a crash with editing Camera Raw settings in the Media Pool
-Addressed an issue with "Preserve source directory" in the Deliver Page
-Addressed an issue with Audio Meters in dual screen mode
-Addressed an issue where data burn-ins are sometimes not seen on the Edit Page
-Addressed an issue with rendering one channel per track on Linux
-Addressed an issue with highlights in Lum Vs. Sat when adjusting shadows
-Addressed an issue with decoding Canon XF AVC Intra 12-bit files
-General performance and stability improvements
Requirements: Mac OS X 10.9.5 or later, 64-bit processor.
Download File Size:211.37 MB